Her research interests are interart studies, contemporary art, and literature and philosophy. She has published extensively on contemporary British fiction, text and image relations and literature and the philosophy of the event. Her current research interests include XXIst century British fiction and art and the anthropocene.

research project “Viral Theatres: Post/pandemic performance in the Anthropocene”, based at the Excellence Cluster Temporal Communities at the Free University Berlin. Her research interests include the intersection between digital and environmental humanities, tragedy. She has published on a wide range of topics including performance in the Anthropocene, contemporary political performance, intermediality in theatre, and tragedy across different forms and media. She is also a co-editor of Erika Fischer-Lichte’s Routledge Introduction to Theatre and Performance Studies (2014) and volume of dialogues on tragedy and comedy, co-edited with Anna Street, is forthcoming with Routledge. She holds a PhD in English and Comparative Literature from Columbia University and has taught in both the US and Germany. Ramona also works as a dramaturg and translator.

She holds a double-doctorate in English Studies from Sorbonne Universités and in Comparative Literature from the University of Kent. Core-convener of the Performance Philosophy network, she is particularly devoted to the promotion of intercultural and interdisciplinary exchanges between philosophical reflection and performance, notably as pertains to comedy. Translator of ten volumes within Les Petits Platons collection, she is also co-editor of Inter Views in Performance Philosophy. A volume of dialogues on philosophy and dramatic genres, co-edited with Ramona Mosse, is forthcoming with Routledge. In addition to water, her current research interests include puppet satire and immigrant theater.